Operadora Domundo
1
Case
In 2023, Domiundo Operadora completed 10 years of stories. Throughout the year, several celebration materials were produced, all aimed at the company's flagship for the year: the celebration tour “Christmas Markets: Cruise on the Rhine River & André Rieu Concert”.
Among all the material produced, I find it worth highlighting the Traveler's Magazine, entirely produced in-house. Delivered to the passenger at the airport, just before the trip starts, serving as a guide — with curiosities and information about all the places visited.
2
Challenges
The biggest challenge of this material was the logistics. The decision to produce a printed material (in contrast to the digital material we used to send on each trip) came at the last minute, a few months before the tour. Being the sole designer of the company, I had to balance the routine demands (which continued even with the extraordinary production) and the creation of the magazine.
This dynamic proved to be a tremendous opportunity to exercise not only the layout side, which I enjoy so much, but also production and logistics, reconciling the visual creation of the magazine — based on similar materials — with the processes of review and file closure.
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Operadora Domundo
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Operadora Domundo
1
Case
In 2023, Domiundo Operadora completed 10 years of stories. Throughout the year, several celebration materials were produced, all aimed at the company's flagship for the year: the celebration tour “Christmas Markets: Cruise on the Rhine River & André Rieu Concert”.
Among all the material produced, I find it worth highlighting the Traveler's Magazine, entirely produced in-house. Delivered to the passenger at the airport, just before the trip starts, serving as a guide — with curiosities and information about all the places visited.
2
Challenges
The biggest challenge of this material was the logistics. The decision to produce printed material (in contrast to the digital material we sent on each trip) came at the last minute, a few months before the tour. Being the only designer in the company, I had to balance the routine demands (which continued even with the extraordinary production) and the creation of the magazine.
This dynamic proved to be a tremendous opportunity to exercise not only the layout aspect, which I enjoy so much, but also production and logistics, reconciling the visual development of the magazine — based on similar materials — with the processes of editing and final file preparation.
Operadora Domundo
New visual ID - Folder
1
Case
The year 2024 marked a series of structural changes in the company, including a revamp of the visual identity and internal processes. It was necessary to develop support material, now suited to this new aesthetic, to instruct collaborators and the team itself on this new operation.
2
Challenges
When it comes to educational material, basically all the information present was essential and therefore could not be removed. For the designer, this resulted in an interesting challenge of transforming and laying out the information to 1) enhance its importance and 2) keep the entire set coherent and complete, within the physical limitations of the print.
I opted for the A3 format, used in other materials from the company, in order to work with its folds. This creates a visual hierarchy based on the reading order, and also strengthens the separation of content within each category.
Operadora Domundo
Specs
1
Case
In 2023, Domundo Operadora completed 10 years of stories. Throughout the year, various celebration materials were produced, all directed towards the company's flagship in the year: the celebration tour "Christmas Markets: Cruise on the Rhine & Concert by André Rieu."
Among all the material produced, I find it worthwhile to highlight the Traveler's Magazine, entirely produced within the company. Delivered to the passenger at the airport, just before the trip begins, serving as a guide — with curiosities and information about all the places visited.
2
Challenges
The biggest challenge of this material was logistics. The decision to produce printed material (in contrast to the digital material we sent on each trip) came at the last minute, a few months before the tour. Being the only designer at the company, I had to balance the routine demands (which continued even with the extraordinary production) and the development of the magazine.
This dynamic proved to be a tremendous opportunity to exercise not only the layout side, which I enjoy so much, but also production and logistics, reconciling the visual development of the magazine — based on similar materials — with the processes of review and file closure.
Operadora Domundo
New visual ID - Folder
Specs
1
Case
The year 2024 marked a series of structural changes in the company, including a revamp of the visual identity and internal processes. It was necessary to develop support material, now suited to this new aesthetic, to instruct collaborators and the team itself on this new operation.
2
Challenges
When it comes to educational material, basically all the information present was essential and therefore could not be removed. For the designer, this resulted in an interesting challenge of transforming and laying out the information to 1) enhance its importance and 2) keep the entire set coherent and complete, within the physical limitations of the print.
I opted for the A3 format, used in other materials from the company, in order to work with its folds. This creates a visual hierarchy based on the reading order, and also strengthens the separation of content within each category.
Operadora Domundo
New visual ID - Folder
1
Case
The year 2024 marked a series of structural changes in the company, including a revamp of the visual identity and internal processes. It was necessary to develop support material, now suited to this new aesthetic, to instruct collaborators and the team itself on this new operation.
2
Challenges
When it comes to educational material, basically all the information present was essential and therefore could not be removed. For the designer, this resulted in an interesting challenge of transforming and laying out the information to 1) enhance its importance and 2) keep the entire set coherent and complete, within the physical limitations of the print.
I opted for the A3 format, used in other materials from the company, in order to work with its folds. This creates a visual hierarchy based on the reading order, and also strengthens the separation of content within each category.